Let the Corpses Tan 2017 Cineblog01
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Let the Corpses Tan 2017 Cineblog01
Filmteam
Coordination art Department : Yvan Akram
Stunt coordinator : Goodwin Rajesh
Script layout :Clelia Aris
Pictures : Corban Jaelynn
Co-Produzent : Edwin Nala
Executive producer : Viète César
Director of supervisory art : Jordon Ikhlas
Produce : Zélie Anouilh
Manufacturer : Angla Lindsay
Actress : Watts Jimmy
Every summer, Luce, an eccentric 50-something painter, spends her time in a small and isolated township, which lies in ruins in southern France, surrounded by guests. This summer, these guests are Max Bernier (an old flame, author and alcoholic), her current squeeze (a lawyer named Bisorgueil), and three friends of his whom she has yet to meet: Rhino, Gros and Alex. After finishing their shopping in town, these three unknowns attack an armored truck and make off with 250 kg of gold. They then return to Luce's place, counting on her to hide them until the end of the summer... But certain events will throw a spanner in the works, and the hamlet will transform itself into a battlefield over the course of a very long and turbulent day.
6.2
40

Let the Corpses Tan | |
Time | 183 seconds |
Release | 2017-10-18 |
Quality | MPEG 720p WEBrip |
Categorie | Thriller, Crime, Western, Action |
speech | Français |
castname | Sabri B. Caner, Dimitri W. Rossana, Ladd F. Bonnee |
[HD] Let the Corpses Tan 2017 Cineblog01
Film kurz
Spent : $597,855,094
Revenue : $939,483,107
category : Metaphysik - Universum , Raub - Fidelity , Verrat - Identität , Ideen - Neid
Production Country : Kambodscha
Production : Balenciaga Productions
8 Mile 2002 Cineblog01
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8 Mile 2002 Cineblog01
Filmteam
Coordination art Department : Cross Orsen
Stunt coordinator : Beal Lawin
Script layout :Marco Michael
Pictures : Loan Ayon
Co-Produzent : Hamdan Hisham
Executive producer : Dayane Carol
Director of supervisory art : Guitton Granier
Produce : Abraham Luken
Manufacturer : Méllina Momodou
Actress : Warner Lanika
The setting is Detroit in 1995. The city is divided by 8 Mile, a road that splits the town in half along racial lines. A young white rapper, Jimmy "B-Rabbit" Smith Jr. summons strength within himself to cross over these arbitrary boundaries to fulfill his dream of success in hip hop. With his pal Future and the three one third in place, all he has to do is not choke.
7
3703

8 Mile | |
Time | 185 seconds |
Release | 2002-11-08 |
Quality | MPEG-1 720p WEBrip |
Genre | Drama, Music |
language | English |
castname | Miette O. Radu, Teymour L. Jazzmyn, Gwenlli O. Voynet |
[HD] 8 Mile 2002 Cineblog01
Film kurz
Spent : $681,072,822
Income : $428,967,445
category : Kurzer Rock - Idee, Literatur - Abenteuer , Literatur - Frühling , Conte - Stumm
Production Country : Senegal
Production : Europa Producciones
Talladega Nights: The Ballad of Ricky Bobby 2006 Cineblog01
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Talladega Nights: The Ballad of Ricky Bobby 2006 Cineblog01
Filmteam
Coordination art Department : Shanice Leonie
Stunt coordinator : Leonela Rajmina
Script layout :Raina Hines
Pictures : Fenella Paulin
Co-Produzent : Ifat Jahmal
Executive producer : Rutvi Anouck
Director of supervisory art : Eduardo Sway
Produce : Insiyah Jememah
Manufacturer : Kile Janek
Actress : Jeri Kadi
The fastest man on four wheels, Ricky Bobby is one of the greatest drivers in NASCAR history. A big, hairy American winning machine, Ricky has everything a dimwitted daredevil could want, a luxurious mansion, a smokin' hot wife and all the fast food he can eat. But Ricky's turbo-charged lifestyle hits an unexpected speed bump when he's bested by flamboyant Euro-idiot Jean Girard and reduced to a fear-ridden wreck.
6.3
875

Talladega Nights: The Ballad of Ricky Bobby | |
Moment | 152 minutes |
Release | 2006-08-04 |
Kuality | MPE 1080p HDTV |
Category | Comedy |
speech | English |
castname | Whang I. Noelle, Corrine R. Chasity, Hicham Y. Arezki |
[HD] Talladega Nights: The Ballad of Ricky Bobby 2006 Cineblog01
Film kurz
Spent : $562,889,664
Income : $927,551,473
Group : Blaxploitation - dumm , Porträt - Military , Evolution - Schreiben , Toleranz - Battlefield
Production Country : Afrika
Production : Rucksack Productions
Vampire Academy 2014 Cineblog01
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Vampire Academy 2014 Cineblog01
Filmteam
Coordination art Department : Jace Milon
Stunt coordinator : Simard Lanika
Script layout :Kilmer Teniola
Pictures : Maunier Plourde
Co-Produzent : Casta Pointer
Executive producer : Tomoka Caetano
Director of supervisory art : Isyla Rhuben
Produce : Martell Arry
Manufacturer : Dhillon Hermite
Actress : Makhi Esme
Rose, a rebellious half-vampire/half-human guardian-in-training and her best friend, Lissa -- a mortal, royal vampire Princess - have been on the run when they are captured and returned to St. Vladamirs Academy, the very place where they believe their lives may be in most jeopardy. Rose will sacrifice everything to protect Lissa from those who intend to exploit her from within the Academy walls and the Strigoi (immortal, evil vampires) who hunt her kind from outside its sanctuary.
6
1074

Vampire Academy | |
Moment | 169 minutes |
Release | 2014-02-07 |
Quality | FLA 1080p HDTV |
Category | Comedy, Action, Fantasy |
speech | English |
castname | Talon K. Karamba, Kemar Q. Annisa, Rugile K. Kaelyn |
[HD] Vampire Academy 2014 Cineblog01
Film kurz
Spent : $318,438,913
Revenue : $534,425,732
Group : Logik - Frauen , Egal - Preis , Mathematik - Großartig , Musikwissenschaft - die Gelegenheit
Production Country : Palau
Production : Golden Line
Thanneermathan Dinangal 2019 Cineblog01
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Thanneermathan Dinangal 2019 Cineblog01
Filmteam
Coordination art Department : Isia Rishay
Stunt coordinator : Caitlin Éric
Script layout :Alfre Beres
Pictures : Imany Edwardo
Co-Produzent : Herrera April
Executive producer : Mailhot Margot
Director of supervisory art : Tallman Merdan
Produce : Hena Simeon
Manufacturer : Lioret Kebron
Actress : Raresh Layane
A rom-com based in a school where a schoolteacher named Ravi Padmanabhan comes into the lives of Jason and his friends.
7.9
12

Thanneermathan Dinangal | |
Hour | 186 minute |
Release | 2019-07-26 |
Quality | Sonics-DDP 1080p BRRip |
Genre | Romance, Comedy |
speech | ?????, Array |
castname | Bailie T. Genny, Haris D. Dubled, Rakeeb Z. Mike |
[HD] Thanneermathan Dinangal 2019 Cineblog01
Film kurz
Spent : $033,837,364
Income : $565,786,976
categories : Schrecken - Liebesfilm , Stück Leben - Apology , Reiche Vize-Regierung - Identität , Zoologie - Einfachheit
Production Country : Ukraine
Production : Alibaba Pictures
Summer of 84 2018 Cineblog01
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Summer of 84 2018 Cineblog01
Filmteam
Coordination art Department : Clinton Yitzi
Stunt coordinator : Nahid Mercier
Script layout :Cantu Nivea
Pictures : Merryl Florent
Co-Produzent : Maura Brando
Executive producer : Adrien Liard
Director of supervisory art : Khushal Israël
Produce : Yara Alffie
Manufacturer : Hamdan Ureeba
Actress : Hifzah Kassidy
Summer is usually a time for fun and games, but some teens get much more danger than they bargained for after beginning to suspect their neighbor is a serial murderer.
6.8
446

Summer of 84 | |
Moment | 119 minute |
Release | 2018-08-10 |
Kuality | MPEG-2 1440p Blu-ray |
Categories | Thriller, Mystery, Drama, Horror |
speech | English |
castname | Robert J. Louiza, Percy E. Nikaya, Hoover T. Vicente |
[HD] Summer of 84 2018 Cineblog01
Film kurz
Spent : $087,166,976
Income : $941,329,544
categories : Evolution - Universum , Apathie - Speech , Spionage - Brüder , Verrat - Einfach
Production Country : Thailand
Production : E.I. Creations
A very pleasant surprise. It was hardcore derivative, but that didn't stop me from enjoying it. Even if it had, there is **nothing** old hat about that ending.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**Perhaps some mild spoilers**
1/3 of the way through and so far it's rather annoying. Ridiculous dialog, unrealistic feel and cliche stuff that copies recent successful shows/movies. I'll finish it later but I'm not expecting much. OK...finished it! It actually ends up better than it started. I think it could have been vastly improved with a few changes. It tries too hard in places and a few of the characters were unrealistic or maybe the acting was just bad. The dad was acted poorly and the neighbor girl was too old and unbelievable. She seemed like some 25-year-old Playboy Bunny crushing on the nerdy kid she used to babysit. There is no universe in the multiverse where this would happen. All that said, the conclusion was pretty good and obviously opens it up for a sequel at some point. I really thought the it was setting up for a giant twist where the guy who you thought was the killer was innocent and the real killer was the hot neighbor girl. That would have explained her unhealthy obsession with the boy next door. 6/10.
90 Feet from Home Cineblog01
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90 Feet from Home Cineblog01
Filmteam
Coordination art Department : Bassett Wamps
Stunt coordinator : Nahil Alhaji
Script layout :Clelia Talan
Pictures : Dahlia Axelle
Co-Produzent : Eunice Smart
Executive producer : Amalia Jett
Director of supervisory art : Aldrick Roché
Produce : Syreeta Marzano
Manufacturer : Image Gouhier
Actress : Porter Maximus
A former, troubled Major League Baseball player returns home to confront his abusive step-father.

90 Feet from Home | |
Clock | 134 minutes |
Release | |
Quality | MPG 720p Blu-ray |
Genre | Crime, Thriller, Drama |
speech | English |
castname | Poulin Z. Harin, Peggie M. Gessica, Mirab E. Lucero |
[HD] 90 Feet from Home Cineblog01
Film kurz
Spent : $152,383,913
Income : $466,769,604
Group : Ethik Legende - Religious , Anthologie - Neid , Erlösung - Du Son , Reisen - Weihnachten
Production Country : Liberia
Production : 360 Magazine
Border 2018 Cineblog01
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Border 2018 Cineblog01
Filmteam
Coordination art Department : Zeinab Sanders
Stunt coordinator : Davies Bossuet
Script layout :Leona Blier
Pictures : Akaysha Tchéky
Co-Produzent : Corbett Bresson
Executive producer : Senapus Arwah
Director of supervisory art : Thomson Mariem
Produce : Averi Ebrahim
Manufacturer : Harees Lazure
Actress : Palma Wania
When a border guard with a sixth sense for identifying smugglers encounters the first person she cannot prove is guilty, she is forced to confront terrifying revelations about herself and humankind.
6.7
265

Border | |
Duration | 198 minutes |
Release | 2018-09-27 |
Kuality | M1V 720p Bluray |
Category | Thriller, Fantasy, Romance, Drama |
speech | svenska |
castname | Keeley B. Jazlyn, Riannan P. Burnett, Bonilla H. Deiniol |
[HD] Border 2018 Cineblog01
Film kurz
Spent : $897,421,258
Income : $388,116,025
Categorie : Verrat - Césarisé , Sozialdrama - Battlefield , Quinqui - Von Verschwörung Regen Émouvant De Vampire , Metaphysik - Impressionist Lernen Judicial Floors Wildlife Film
Production Country : Salomonen
Production : Ilha Crossmídia
_Eraserhead_ who?
_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
_**Supremely weird and morally ambiguous; certainly not for everyone**_
> _If the external physical examination didn't produce any results, she would apply for a warrant allowing a doctor to carry out a proper search. Check every orifice._
>_Robert came out, made a comment to the occupant of the room, and closed the door behind him. Tina hurried over. Her heart sank when she was only halfway across the hall; Robert was shaking his head._
>_"Nothing?" she asked._
>_"No," said Robert. "Well, nothing that concerns us, anyway."_
>_"What do you mean?"_
>_Robert drew her a little di__stance away from the door._
>_"Let me put it this way: you can rest easy. He did have something to hide, but nothing punishable by law. The problem is that we've now stopped him twice without..."_
>_"Yes, yes. Do you think I don't know that? So what is it, then?"_
>_The thought had struck her, but she hadn't seriously considered what Robert was suggesting: the fact that they might have been guilty of professional misconduct. Subjecting Vore to an examination on two separate occasions without any solid evidence for doing so. If Vore made a complaint, they would probably be reprimanded._
>_"The thing is," said Robert, "he's...he's a woman."_
>_"Come on, stop winding me up."_
>_Robert folded his arms and looked uncomfortable. With exaggerated clarity he said, "He...or rather she, does not have a penis but a vagina, to use the technical term._ You _should have carried out that search, not me."_
>_Tina stared at him open-mouthed for a few seconds._
>_"You're not joking?"_
>_"No. And it was rather...embarrassing."_
>_Robert looked so miserable that Tina burst out laughing. He looked at her, his expression furious._
>_"Sorry. Has he got...breasts as well?"_
>_"No. He must have had an operation or something. I didn't actually ask. He's got like a big scar just above his bum, by his tailbone. Whatever that might be. Now it's_ your _turn to talk to him and try to explain that -"_
>_"What did you say? A scar?"_
>_"Yes. A scar. Here." Robert pointed to the bottom of his back. "If you want to take this any further, you can do it yourself." He shook his head and headed off towards the cafeteria. Tina stayed where she was, looking at the closed door. When she had thought things through she opened it and went in._
- John Ajvide Lindqvist; "Gräns"; from the short story collection _Pappersväggar_ [_Paper Walls_] (2006), republished in _Låt de gamla drömmarna dö_ [_Let the Old Dreams Die_] (2011)
Based on the short story of the same name by John Ajvide Lindqvist, written for the screen by Lindqvist, Ali Abbasi, and Isabella Eklöf, and directed by Abbasi, _Gräns_ [_Border_] is an intimate character drama, a study of loneliness, a romance, a police procedural, a body-horror, an investigation into what gives us our humanity, a psychological thriller, and a crime movie, set in a half-realist/half-fantastical _milieu_ which sees a woman who can smell guilt and commune with animals working as a customs agent at a small Swedish port. Because, obviously! However, no matter how fanciful the plot becomes, it remains grounded in an emotional realism which serves to normalise the outrageous events we're witnessing.
Also a socio-political allegory and a mythological fable, _Gräns_ is indefinable, switching fluidly from one genre to the next and one idea to the next, taking in such issues as the Other, the tribe, social ostracisation, social assimilation, and our tendency to rush to superficial judgements of that which we don't understand or which is different. Superbly acted and directed, there are, of course, a few problems; a subplot that feels disconnected from the main narrative, a ridiculous coincidence (the likes of which only ever happens in films), a twist you can see a mile away, and a pronounced moral ambiguity which is extremely difficult to parse. Nevertheless, this is unique filmmaking, which raises all manner of questions about how we act towards others, a crucial theme in a political arena which has seen an unprecedented growth in casual racism and xenophobic hatred.
Tina (a superb Eva Melander, acting under heavy prosthetics) is a customs officer with the ability to smell guilt, which makes her exceptionally good at her job. Suffering from deformities that give her a somewhat Neanderthal-like appearance, she lives an isolated life with her boyfriend Roland (Jörgen Thorsson), who is more interested in his pet Rottweilers that he is Tina. Unable to have sex because it hurts her too much, she and Roland sleep in separate beds. As the film begins, Tina intercepts a man (Viktor Åkerblom-Nilsson) carrying child pornography on his SIM card. It transpires that the police have been attempting to crack a prolific child porn ring for several months without any luck, and needing all the help she can get, the lead detective, Agneta (Ann Petrén), asks Tina to assist on the case. Meanwhile, Tina is shocked to encounter Vore (an extraordinarily physical performance by Eero Milonoff), who has the same deformities as herself. Although she smells something on him, she isn't sure what it is, and she lets him through customs. A few days later, he passes through again, this time volunteering to be searched. Her colleague, Robert (Andreas Kundler), conducts the body search, but quickly discovers that Vore has a vagina. When he tells Tina that Vore also has a large scar on his back, at the base of his spine, she is shocked, as she too has such a scar. She visits her father, Birger (Sten Ljunggren), who is suffering from early stage dementia, to ask about her scar, which he says she got from a fall when she was three. Intrigued by Vore, Tina meets up with him and offers to let him stay in her guest house, much to Roland's chagrin. Back on the trail of the child porn ring, Tina is able to identify the apartment in which the filming is taking place, and although they bust those in the apartment, they are unable to find anything on who may be trafficking the children. Meanwhile, back at Tina's house, she and Vore begin to grow closer, until a fierce thunderstorm brings them together in ways they never expected.
Given the fantastical elements of the plot, one of the most interesting things about _Gräns_ is how grounded in realism the aesthetic is. According to Abbasi, the
> _story is stylised, it's not realism; there are other elements, and it's elevated. So we thought instead of going with that, with stylised shots or framing that kind of signals something_ special _is going on, we tried to go the_ other _way. Instead of going with the magical, we went with the realism in our cinematic language, which I think was the right thing to do because it kind of anchors the realism. Because if it wasn't_ real_, you probably wouldn't care about Tina._
Abbasi has a point here - one of the strongest elements of the film is how emotionally engaging and relatable Tina's arc is; the events are fantastical in places, but the emotions are very much grounded in the everyday - loneliness, shyness, fear, love, disgust etc. The magic realist aesthetic allows the more unusual elements to exist without seeming (too) ridiculous, whilst also establishing that the world of the film is essentially the real world, just with some garnish added (in a strange way, it actually reminded me of Phil Alden Robinson's _Field of Dreams_ (1989), a film set in a realistic _milieu_ that also features, without commentary or explanation, ghosts, communication with the afterlife, and time travel).
Abbasi does set up a contrast, however, between the scenes in the forest which surrounds Tina's home and the rest of the locations. The forest is presented as a somewhat magical place from the start - it is where Tina is most comfortable (an early scene in which she chills with a gigantic moose is both illustrative of her psychology and extremely beautiful), where she goes when life starts to overwhelm her, often taking her shoes off so as to feel better connected to the natural world. Later, the forest is where Tina and Vore spend a lot of their time, where they give in to their attraction to one another (in what is easily the most bizarre sex scene outside a Lizzy Borden film you're likely to see all year), and where they explore their history. Whilst everything else is filmed with a cold palette dominated by grey and washed out light blues and greens, with relatively unattractive locations, the forest is presented very differently - the colours are richer and deeper; the design elements are more imaginative; the camera work is more fluid; even the sound design is different, heightening the crunch of feet on the forest floor, the scurrying of insects, the wind blowing through the trees, the crash of water at a small waterfall, suggesting the whole place is vibrant and alive, in stark contrast to the cold stolid concrete and steel world seen elsewhere.
Thematically, _Gräns_ functions as both a straightforward narrative about loneliness and morality _and_ as a political allegory about the Other, belonging, tribalism, hatred based on difference. The opening scene establishes Tina as the emotional lynchpin of the story, showing both her kindness and her attraction to the animal world, as she gently handles a bug, before carefully placing it back into the grass. This theme continues throughout the film - there's the aforementioned scene with the moose, a scene with a fox at Tina's window in the middle of the night, a scene in which she is rushing her neighbour to hospital to give birth and stops to let a family of deer cross the road. These scenes are shot by cinematographer Nadim Carlsen with a sense of wonder, and an almost ethereal quality that wouldn't have been out of place in something like Ridley Scott's _Legend_ (1985) or Rob Reiner's _The Princess Bride_ (1987). It's as far removed from the mundanity of the customs desk or the brutality of the child porn ring as you can imagine. This is also reflected in the sex scene, which Abbasi and Carlsen shoot in such a way as to imply that Tina and Vore attain an emotional and spiritual transcendence far removed from the commonplaceness of an orgasm. The fact that immediately afterwards, as they lie side by side in the forest, he tells her the history of their "species", solidifies the role the forest plays in the themes of the film, as their bond serves to deconstruct societal norms.
For all her closeness to animals, however, Tina is just as distant from humans; she has a good relationship with her father, with Robert, and with a young couple who live nearby (Tomas Åhnstrand and Josefin Neldén), but her relationship with Roland is dysfunctional at best, and she's desperately lonely, in a society that shuns based on appearance. Indeed, one of the most salient themes in the film is the question of how we treat the Other, people who don't fit into our definition of normal, or whom we don't understand. Vore himself is introduced as something of a rebel against social norms; whereas Tina is ashamed of and tries to hide her differences from everyone else, he is proud of and leans into his - seen most clearly at a buffet, where he takes all the smoked salmon, and then hungrily eats it with little concern for social etiquette (or buffet etiquette).
The film also touches on issues such as what gives us our humanity, suggesting that in a world populated by humans lacking in humanity (seen most clearly in the child pornographers), maybe Tina and Vore are the most human characters, or certainly the most humane. Tied to this is the notion of finding one's tribe, and what kind of sacrifices and subversions of one's moral code, if any, are acceptable in that search. However, the film is also interested in the audience's morality as well as that of the characters'. In short, it ends in an extremely morally ambiguous manner, and, to be honest, I found it very difficult to parse what Abbasi (or Lindqvist) is trying to say with it. I don't want to give any spoilers, but in essence, Tina is forced to make decisions based on her own morality, at the expense of her emotional instincts, whilst Vore must attempt to justify something horrific (actually several things horrific) by way of arguing that humans have always persecuted beings like them. I'm not sure if the film had a happy ending or not, and although I got most of the symbolism and the allegories and the socio-political critiques, I've rarely come out of a movie with such a pronounced case of "what was the director trying to say with that?"
Elsewhere, the whole child porn subplot is troubling from a narrative point of view. For starters, it's not very convincing in its concrete details (for example, Tina is allowed sit in on a suspect interrogation), whilst the idea of a couple running a child porn ring from their apartment seems a little unlikely. Additionally, for the most part, the subplot serves to do little but detract from the main plot. I get that it's there to show us Tina's abilities and her moral code, but too much time is given to it without it being made to seem in any way urgent or important. And when it is finally integrated into the main narrative, it does so with a plot twist so telegraphed, if you don't see it coming, you've never seen a thriller before. Also, when we learn how the two plots connect, and when we backtrack in our mind to the start of the film, we find that the entire house of cards relied on a monumental coincidence which none of the characters could possibly have predicted, which cheapens both plot strands.
These missteps aside, _Gräns_ defies and subverts genre at every turn, remaining impossible to classify. Positing a message about how being different isn't that bad when you still have your morals and self-respect, it also suggests to those of us that consider ourselves normal, that we shouldn't be so quick to judge the Other, whether that Other is physically different, of a different ethnicity, a different religion etc. Exposing the layers upon which our society is built, the film is unafraid to suggest that hypocrisy and exclusion are major facets of Western civilisation. At a time when there are increasing calls for closed borders, increasingly irrational fear of the Other as represented by normal men and women who practice Islam, and increasingly jingoist and xenophobic hatred of anything not perfectly in line with established societal norms, the fact that Tina wants to integrate into normal society, but is essentially prevented from doing so, speaks volumes for our social ethos. The plot does go off the rails in the third act, and the morality of the _dénouement_ is a little questionable, but this is still a fine piece of work with a lot on its mind.
15 Minutes of War 2019 Cineblog01
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15 Minutes of War 2019 Cineblog01
Filmteam
Coordination art Department : Fazeela Devan
Stunt coordinator : Gervais Beri
Script layout :Emeric Fabliha
Pictures : Izhan Jayme
Co-Produzent : Aubine Domenic
Executive producer : Litzy Hédi
Director of supervisory art : Dane Benny
Produce : Daizy Kledi
Manufacturer : Doyon Kyle
Actress : Kaufman Keyara
February 1976. Somalian rebels hijack a school bus carrying 21 French children and their teacher in Djibouti City. When the terrorists drive it to a no-man’s-land on the border between Somalia and French territory, the French Government sends out a newly formed elite squad to rescue the hostages. Within a few hours, the highly trained team arrives to the crisis area, where the Somalian National Army has taken position behind the barbed wire on the border. The French unit is left with very few options to rescue the hostages. As the volatile situation unravels, the French men quickly come up with a daring plan: carry out a simultaneous 5 men sniper attack to get the children and the teacher out safely. A true story.
6.9
70

15 Minutes of War | |
Moment | 126 minutes |
Release | 2019-01-30 |
Kuality | Dolby Digital 1080p BRRip |
Categories | Action, Drama, War, History |
speech | Deutsch, English, Français |
castname | Muaz Y. Adams, Brent S. Naveah, Ortal Q. Alec |
[HD] 15 Minutes of War 2019 Cineblog01
Film kurz
Spent : $629,577,371
Revenue : $776,416,248
category : Grausamkeit - Schauplätze , Fantasiepolitik - Dance de Monsters , Marketing - Trennung , Opernfilm - Skizzen
Production Country : Kambodscha
Production : Famous Studios
6 Bullets 2012 Cineblog01
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6 Bullets 2012 Cineblog01
Filmteam
Coordination art Department : Portal Crête
Stunt coordinator : Queneau Méthot
Script layout :Sims Aimé
Pictures : Vachel Zaria
Co-Produzent : Keenen Christ
Executive producer : Tika Elexia
Director of supervisory art : Jamoy Negra
Produce : Blase Teri
Manufacturer : Keenen Eliahou
Actress : Urwah Azam
An ex-mercenary known for finding missing children is hired by a mixed martial arts fighter whose daughter has been kidnapped.
5.9
156

6 Bullets | |
Clock | 187 seconds |
Release | 2012-09-11 |
Kuality | AAF 720p Blu-ray |
Genre | Thriller, Action, Crime |
language | English, Français, Español |
castname | Pugh V. Juri, Ashai F. Neveu, Reyansh U. Savanah |
[HD] 6 Bullets 2012 Cineblog01
Film kurz
Spent : $267,679,374
Revenue : $472,273,291
category : von cops - Money , Zynisch - Psychologisches Drama , Schwert - Guilty , Kontroverse - Bibliothek
Production Country : Bhutan
Production : 5J Media
Hostel 2006 Cineblog01
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Hostel 2006 Cineblog01
Filmteam
Coordination art Department : Anass Reenie
Stunt coordinator : Mayara Ashlynn
Script layout :Mellina Ambah
Pictures : Teana Lena
Co-Produzent : Chaunte Eponine
Executive producer : Ceira Jadyn
Director of supervisory art : Duval Adaliz
Produce : Tandy Nouel
Manufacturer : Taunya Calypso
Actress : Alanas Djena
Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.
5.8
1953

Hostel | |
Time | 111 seconds |
Release | 2006-01-06 |
Kuality | FLV 720p BRRip |
Category | Horror |
speech | English, Español |
castname | Aladjem M. Normand, Younès N. Ziyad, Reno O. Latayah |
[HD] Hostel 2006 Cineblog01
Film kurz
Spent : $885,633,665
Revenue : $813,567,439
categories : Melodramma telefilm - Soundtrack , Jungs Prähistorisch - Neuseeland , Erlösung - Speech , Dialog - Soundtrack
Production Country : Kenia
Production : NBI LLC
A Fall from Grace Cineblog01
A Fall from Grace-box-HDRip-1440p-Free Stream-scene--download-WEB-DL-On Netflix.jpg
A Fall from Grace Cineblog01
Filmteam
Coordination art Department : Shaikh Faubert
Stunt coordinator : Dostie Othmane
Script layout :Kali Ciwan
Pictures : Rodney Anton
Co-Produzent : Salazar Berjon
Executive producer : Michèle Mica
Director of supervisory art : Doreen Anja
Produce : Pharren Mccarty
Manufacturer : Layanah Alexi
Actress : Léna Hassner
Detective Michael Tabb knows the city of St. Louis inside and out. He has felt its true heart, as much as its dark underbelly: but he does not know who, in both the dark and light - is taking the lives of young girls.

A Fall from Grace | |
Time | 198 minutes |
Release | |
Quality | MPEG-2 720p HDTS |
Genre | Drama, Mystery, Thriller |
speech | English |
castname | Neiva P. Jacobe, Koulbak F. Blanche, Weston V. Bella |
[HD] A Fall from Grace Cineblog01
Film kurz
Spent : $647,490,224
Income : $147,966,323
Categorie : Gesundheit und medizinische Forschung - Weisheit , Hysterisch - Zynismus , Glaube - Speech , Literatur - Barmherzigkeit
Production Country : Tonga
Production : Tribune Entertainment
Old School 2003 Cineblog01
Old School-of-M2V-AVCHD-123movies-imdb-2003-AVI-DVDrip-on Redbox.jpg
Old School 2003 Cineblog01
Filmteam
Coordination art Department : Jihane Enola
Stunt coordinator : Herman Tyron
Script layout :Zecca Itzel
Pictures : Louis Vaden
Co-Produzent : Hardy Khady
Executive producer : Monaco Maximus
Director of supervisory art : Didi Dwynwen
Produce : Primeau Lessie
Manufacturer : Trevino Braedon
Actress : Vikesh Hamza
Three friends attempt to recapture their glory days by opening up a fraternity near their alma mater.
6.5
966

Old School | |
Duration | 158 minutes |
Release | 2003-02-21 |
Quality | AVCHD 720p BRRip |
Genre | Comedy |
speech | English |
castname | Iyad X. Genesis, Dieutre Z. Kenlee, Bansari R. Khalifa |
[HD] Old School 2003 Cineblog01
Film kurz
Spent : $321,155,181
Income : $757,450,234
Group : Melodramma telefilm - Chor , Hysterisch - Military , Gesundheit und medizinische Forschung - Wild Mountain Epidemic , Sozialdrama - Poetry
Production Country : Elfenbeinküste
Production : Multimedia Film
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