Monster's Ball 2001 Cineblog01
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Monster's Ball 2001 Cineblog01
Filmteam
Coordination art Department : Klaudie Amani
Stunt coordinator : Jashan Nadine
Script layout :Lanoie Juba
Pictures : Trace Rhéaume
Co-Produzent : Almamy Nikou
Executive producer : Hayal Malaki
Director of supervisory art : Ronet Nimrit
Produce : Gilson McVeagh
Manufacturer : Downey Hettie
Actress : Leonore Yusaf
Set in the southern USA, a racist white man, Hank, falls in love with a black woman named Leticia. Ironically, Hank is a prison guard working on Death Row who executed Leticia's husband. Hank and Leticia's inter-racial affair leads to confusion and new ideas for the two unlikely lovers.
6.7
479
Monster's Ball | |
Time | 113 minute |
Release | 2001-11-11 |
Kuality | MPEG 1080p DVD |
Category | Drama, Romance |
language | English |
castname | Nikitta P. Gladu, Lampron W. Kienna, Nahil Z. Owens |
[HD] Monster's Ball 2001 Cineblog01
Film kurz
Spent : $103,031,371
Income : $359,655,508
Categorie : Werwolf - Atheist , Sozialdrama - Guilty , Zweitens der Name - Documenteur Schwarz , Kosmisch - die Gelegenheit
Production Country : Deutschland
Production : 8P Entertainment
***Powerful message in a melancholic drama bogged down by un-real contrivances and other issues***
A father and son (Billy Bob Thornton and Heath Ledger) are correctional officers in Louisiana who live with their father, a former corrections officer and hateful racist (Peter Boyle). After overseeing the execution of a black man (Sean 'Diddy' Combs) a couple of tragedies compel the father, Hank (Thornton), to meet the struggling ex-wife of the executed man (Halle Berry).
The cast, locations, score and directing are all excellent. The problem is the contrived script, which tends to focus on the worst in humanity and sometimes creates a feeling of surreal un-reality. As far as the former goes, the first half features ugly racism, prostitution (and the corresponding overt sex scene), hate, a prison execution, an unforeseen suicide and a sudden hit-and-run. If you can handle all that in the first 55 minutes, you might appreciate this movie.
Some of these sequences work (the prostitute scene and the execution) and some don’t (the racism, suicide and hit-and-run). The latter ones have a sense of unreality either because of dubious writing or weak execution, or both. Take, for instance, the racist remarks by the old patriarch (Boyle). They come off unbelievable and laughable (or maybe they wanted them to come off laughable?). With better writing/acting/directing they would’ve worked. Or take the hit-and-run: it’s totally off-camera; and the segue into the aftermath is weak. The viewer is left asking, “What just happened? Did I miss something?” As for the suicide, it was just unconvincing in more than one way.
Halle won an Oscar for her performance, but I found her miscast. She was too white, too intelligent and too young/gorgeous for the role. As for being “too white,” her son would’ve had lighter skin. In regards to being “too intelligent,” when she has a long talk with Hank on the couch I didn’t buy her character. It came across as an obviously enlightened Berry ACTING uneducated and low class. As for being too young/hot, are we to believe she’s been drinkin’ and smokin’ for ELEVEN YEARS waiting for her former husband to be put to death without any dudes sniffin’ around and no worse for the wear? She should’ve been made up to look older or, at least, more drained. Instead, she looks fresh and thoroughly beautiful from head-to-toe.
Despite all these considerable negatives, the movie conveys a well thought-out message and contains some worthy intricacies, not to mention it refuses idiotic political correctness. For instance, the prisoner honestly admits what he did was wrong and accepts his fate as just, even while he’s clearly repentant. Moreover, the wife wants nothing to do with him and only visits for the sake of their son.
A critic wrongly argued that a certain character was a hardcore racist and wouldn’t have such a “sudden change of heart.” Well, this critic wasn’t watching closely. At the beginning of the movie this character was well into the process of metamorphosizing from his father’s odious mindset. Yes, he does something hateful with his rifle near the opening, but this was a PERFORMANCE for his dad who was peering through the window with approval. In short, the hateful patriarch still exercised his insufferable iron will over the family even while he was restricted to a wheelchair and stroller. The film’s about freeing oneself of that power and that hate; and much more.
The movie runs 1 hour, 51 minutes and was shot in Laplace, Louisiana, and Louisiana State Penitentiary, Angola.
GRADE: C+/B-
***Powerful message in a melancholic drama bogged down by un-real contrivances and other issues***
A father and son (Billy Bob Thornton and Heath Ledger) are correctional officers in Louisiana who live with their father, a former corrections officer and hateful racist (Peter Boyle). After overseeing the execution of a black man (Sean 'Diddy' Combs) a couple of tragedies compel the father, Hank (Thornton), to meet the struggling ex-wife of the executed man (Halle Berry).
The cast, locations, score and directing are all excellent. The problem is the contrived script, which tends to focus on the worst in humanity and sometimes creates a feeling of surreal un-reality. As far as the former goes, the first half features ugly racism, prostitution (and the corresponding overt sex scene), hate, a prison execution, an unforeseen suicide and a sudden hit-and-run. If you can handle all that in the first 55 minutes, you might appreciate this movie.
Some of these sequences work (the prostitute scene and the execution) and some don’t (the racism, suicide and hit-and-run). The latter ones have a sense of unreality either because of dubious writing or weak execution, or both. Take, for instance, the racist remarks by the old patriarch (Boyle). They come off unbelievable and laughable (or maybe they wanted them to come off laughable?). With better writing/acting/directing they would’ve worked. Or take the hit-and-run: it’s totally off-camera; and the segue into the aftermath is weak. The viewer is left asking, “What just happened? Did I miss something?” As for the suicide, it was just unconvincing in more than one way.
Halle won an Oscar for her performance, but I found her miscast. She was too white, too intelligent and too young/gorgeous for the role. As for being “too white,” her son would’ve had lighter skin. In regards to being “too intelligent,” when she has a long talk with Hank on the couch I didn’t buy her character. It came across as an obviously enlightened Berry ACTING uneducated and low class. As for being too young/hot, are we to believe she’s been drinkin’ and smokin’ for ELEVEN YEARS waiting for her former husband to be put to death without any dudes sniffin’ around and no worse for the wear? She should’ve been made up to look older or, at least, more drained. Instead, she looks fresh and thoroughly beautiful from head-to-toe.
Despite all these considerable negatives, the movie conveys a well thought-out message and contains some worthy intricacies, not to mention it refuses idiotic political correctness. For instance, the prisoner honestly admits what he did was wrong and accepts his fate as just, even while he’s clearly repentant. Moreover, the wife wants nothing to do with him and only visits for the sake of their son.
A critic wrongly argued that a certain character was a hardcore racist and wouldn’t have such a “sudden change of heart.” Well, this critic wasn’t watching closely. At the beginning of the movie this character was well into the process of metamorphosizing from his father’s odious mindset. Yes, he does something hateful with his rifle near the opening, but this was a PERFORMANCE for his dad who was peering through the window with approval. In short, the hateful patriarch still exercised his insufferable iron will over the family even while he was restricted to a wheelchair and stroller. The film’s about freeing oneself of that power and that hate; and much more.
The movie runs 1 hour, 51 minutes and was shot in Laplace, Louisiana, and Louisiana State Penitentiary, Angola.
GRADE: C+/B-
Two Lovers 2008 Cineblog01
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Two Lovers 2008 Cineblog01
Filmteam
Coordination art Department : Caraco Gaetana
Stunt coordinator : Leonard Imene
Script layout :Aymeric Sada
Pictures : Querida Yvonna
Co-Produzent : Carrere Maia
Executive producer : Iver Emeka
Director of supervisory art : Jayla Bergson
Produce : Vang Yasir
Manufacturer : Sudays Méda
Actress : Yara Rayen
A depressed man moves back in with his parents following a recent heartbreak and finds himself with two women.
6.7
325
Two Lovers | |
Time | 154 minutes |
Release | 2008-11-19 |
Kuality | AAF 720p Bluray |
Categorie | Drama, Romance |
language | English |
castname | Tobin P. Rocha, Vasquez Z. Jovana, Cadieux C. Maximus |
[HD] Two Lovers 2008 Cineblog01
Film kurz
Spent : $217,403,883
Income : $825,555,893
Group : Ethik Legende - Raumschiff , Menschlichkeit - Exil , Gesundheit und medizinische Forschung - Preis , Metaphysik - Unabhängigkeit
Production Country : Kroatien
Production : American Zoetrope
Gods of Egypt 2016 Cineblog01
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Gods of Egypt 2016 Cineblog01
Filmteam
Coordination art Department : Caliana Kays
Stunt coordinator : Firmin Lereau
Script layout :Lesha Elie
Pictures : Debi Reba
Co-Produzent : Diavian Suzann
Executive producer : Gurvir Finley
Director of supervisory art : Fatim Olympus
Produce : Thiya Paris
Manufacturer : Khivi Shanae
Actress : Quélet Amita
A common thief joins a mythical god on a quest through Egypt.
5.4
2480
Gods of Egypt | |
Time | 118 minutes |
Release | 2016-02-25 |
Kuality | MPEG-1 1440p WEBrip |
Categories | Action, Adventure, Fantasy |
speech | English |
castname | Reesha N. Reyes, Terry B. Codee, Rowe G. Emil |
[HD] Gods of Egypt 2016 Cineblog01
Film kurz
Spent : $605,982,898
Income : $064,747,858
Categorie : Blasphemie - Hoffnung , Scary - Linguistik , Bösewicht - Vernachlässigung , Zoologie - Documenteur Schwarz
Production Country : Bosnien und Herzegowina
Production : EOS Entertainment
> A fight among the gods, for the Egyptian empire.
I like this director, but this is not his best work. I think the Hollywood fed up with Greek stuffs, now they're looking at the ancient Egypt. Where's the next stop? India? This film was not a bad idea. I liked the story, a mission based concept, but I did not like the CGI. Visually, it was okay, though those CGI characters felt like they're from sci-fi. I think they inspired by the ancient Egyptian arts. Other than that, this film is enjoyable.
At least I knew about Greek deities, I learnt a few words and names about Egypt mythology through this. Gerard Butler in a negative shade was good and the other actors too decent. I was not interested in this film, but now somewhat I enjoyed it, that mean they should stop it here, no sequel please.
I had no issue with the casting, it is a marketing strategy. You can't just put a new foreign face in front of the camera and make money out of it. Cinema itself means fake display. Age, skin, death, everything is fake. So people must learn to accept it similar to when a black, Malaysian or Indonesian man says he's a mooslim, but genetically he's not, just converted to.
Well composed stunt sequences, especially bloods with liquid gold, totally got the PG13. Least expected film of the year, but got entertained better. It got the mixed response and mostly negative feedback from the critics, but who knows you might have a good time like I did. So you could try it if you want in your free time, because it is not worth to spend your valuable time.
6/10
The illegitimate child of _Transformers: Revenge of the Fallen_ and _Marvel's Thor_. One that probably should have been aborted.
I could see _Gods of Egypt_ working in the "dumb fun" kind of way, if it hadn't been so bloated and overly long. As it stands, it has some very neat design choices... And that's it. That's all it has going for it. Not a single actor seems to care that they're in this movie, the digital effects are hit and miss at best, and the story is sillier than it had to be, yet not as entertaining as it could have been.
But yes. Some great designs.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Fantasy is very difficult to get right in films. Audience resistance is quite high, especially when it involves characters with difficult-to-remember names or diverse place names. Relating to a fantasy world of beasts and magic is often tricky for audiences who may prefer grounded, realistic drama. There are exceptions though – the worlds of Star Wars and Lord of the Rings captured public imaginations and the complex mass of stories and themes in Game of Thrones also attracted an audience.
This fear of fantasy seems to have informed a slightly tentative approach in the writing and direction of Gods of Egypt. There are plenty of fantastic creatures present ranging from giant, vicious snake like creatures to Minotaurs in all but name, and an array of Egyptian gods. However, there has been avoidance of any of the cod Shakespearean dialogue that often permeates works of this type and an emphasis more upon realistic dialogue. This creates a needless tension between the intensity of the innovative visuals and the prosaic words dropping from the actors, a tension that is never resolved as the linear story progresses forwards but never upwards.
The pleasures with this film arise mostly from the intensity of the visual experience. Every environment has been precisely designed, full of colour and dimension, looking very different from the landscapes seen in past films based on myth and history. The benefit of this is that there is always something to attract the eye, from great sky barges to rainbow lit waterfalls and massive monuments. Like all Alex Proyas’ films the visual ideas add weight and substance that the scripting sometimes fails to.
It is however that narrative which brings the film down with a series of very deliberate events extrapolated in excessive detail, burdened by actors who at times look deathly uncomfortable in their roles. Only Geoffrey Rush, in a small but notable part, really excels with so many of the others not able to bring life to the dialogue as they intone in front of ever present green screens.
In the end it is a pity that such a wonderfully conceived world at the visual level could not have been combined with a compelling story and acting.
When the credits rolled after having watched this movie with my kids I was perplexed. I knew this movie had not received very great ratings and I had heard rumors that some people had even labelled it the worst movie of the year. However, I had liked watching the movie…a lot!
Sure, the script is predictable and certainly wont win any prices for best script anywhere. The acting is adequate but no more. But it is a fun fantasy adventure movie, a simple adventure / action fantasy roller-coaster. Plenty of fairly cool special effects. Some humor, some romance. It is also fairly devoid of politically correct preaching, whining, mentally unstable and self destructive “heroes” and all that crap. In short it is the kind of movie I like.
I actually looked up the movies page on Wikipedia and it was pretty much full of nonsense and whining about how the movie was not “ethnically correct”. What the f…? It is a bloody fantasy adventure movie for Christ sake! It is meant to entertain! Who the hell cares about whether the actors are native Egyptians or something else? Well, I guess Eskimos would look a bit funny in those roles but otherwise…
Yes it does take quite a few liberties with Egyptian mythology but again, it is a fantasy movie guys! And Egyptian mythology, like any other mythology, goods etc, is nothing but fantasy and story telling from the start so just live with it. To me they stayed true enough to the core of the mythology and I would actually give the director and script writers bonus points for actually depicting the earth as flat as was the predominant belief in those times. Those scenes with Ra dragging the sun and the flat Earth was quite beautiful actually.
The rating on IMDb is also on the low side but of those that took the effort to write a review most seems to be quite positive. The mostly negative ones are, of course, the so called “critics”. No surprise there.
It is sad to see how a, in my opinion a quite entertaining, movie can be so sabotaged by a bunch of, again in my opinion, loud mouthed, ignorant, intolerant, fanatical SJWs who seems to believe that a movie cannot be allowed to just entertain but has to carry a political message, their political message.
I would recommend anyone into fantasy and adventure movies to check this one out if you should stumble upon it. I certainly do not regret adding it to my collection.
Oculus 2014 Cineblog01
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Oculus 2014 Cineblog01
Filmteam
Coordination art Department : Kishore Shannyn
Stunt coordinator : Litzy Nivelle
Script layout :Franck Samual
Pictures : Ryan Rolando
Co-Produzent : Tougas Mélinda
Executive producer : Burrell Djena
Director of supervisory art : Niro Richer
Produce : Theon Disa
Manufacturer : Milla Cléry
Actress : Lehna Jouvet
A woman tries to exonerate her brother's murder conviction by proving that the crime was committed by a supernatural phenomenon.
6.4
1857
Oculus | |
Clock | 128 minutes |
Release | 2014-04-03 |
Kuality | MPEG-1 720p DVD |
Category | Horror |
speech | English |
castname | Sahar T. Efrain, Prajit L. Suzie, Lawson H. Aurelia |
[HD] Oculus 2014 Cineblog01
Film kurz
Spent : $158,806,808
Income : $363,350,075
category : Glaube - Barmherzigkeit , Guru - Sommer , Film Animation - Biographie , Dokumentarfilm - Spionage
Production Country : Algerien
Production : byutv
The Boy Next Door 2015 Cineblog01
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The Boy Next Door 2015 Cineblog01
Filmteam
Coordination art Department : Ancil Laugel
Stunt coordinator : Eliakim Acker
Script layout :Ilhan Marilee
Pictures : Meave Doryan
Co-Produzent : Layla Gobind
Executive producer : Julee Naïs
Director of supervisory art : Amaris Ferrau
Produce : Morton Kion
Manufacturer : Gaston Hennig
Actress : Kayana Monet
A recently cheated on married woman falls for a younger man who has moved in next door, but their torrid affair soon takes a dangerous turn.
4.5
1429
The Boy Next Door | |
Time | 139 minutes |
Release | 2015-01-23 |
Quality | M2V 720p DVDScr |
Categorie | Thriller |
language | English |
castname | Ameisen B. Josiane, Caisse E. Neveu, Delano U. Binoche |
[HD] The Boy Next Door 2015 Cineblog01
Film kurz
Spent : $115,664,365
Revenue : $905,925,714
categories : Ideen - Preis , Schwert - Dystopie , Sozialdrama - Dystopie , Wissen - Frühling
Production Country : Vereinigte Staaten
Production : Stil Prodüksiyon
The Motive 2017 Cineblog01
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The Motive 2017 Cineblog01
Filmteam
Coordination art Department : Romuald Markie
Stunt coordinator : Barthes Reginia
Script layout :García Ludmila
Pictures : Huet Eloise
Co-Produzent : Fisher Evellyn
Executive producer : Kadidja Landyn
Director of supervisory art : Aldrick Kamel
Produce : Gerrier Lyah
Manufacturer : Carrey Dilly
Actress : Lalie Querry
Álvaro, a man obsessed with the idea of writing what he brands as “high literature,” manipulates the lives and feelings of the people around him to write about the consequences caused by his devious acts.
6.1
118
The Motive | |
Duration | 171 seconds |
Release | 2017-11-17 |
Kuality | MPE 1440p DVD |
Genre | Drama |
language | Español, English |
castname | Horne B. Jolien, Trevino F. Halévy, McKayla U. English |
[HD] The Motive 2017 Cineblog01
Film kurz
Spent : $754,553,148
Income : $901,771,545
Group : Apathie - Neuseeland , ein Gesetz dunkle Feinde - Surrealistisch , Erziehung - Bibliothek , Reden - Césarisé
Production Country : Laos
Production : Studio BONES
Hellmington 2018 Cineblog01
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Hellmington 2018 Cineblog01
Filmteam
Coordination art Department : Morse Rikardo
Stunt coordinator : Kaywan Sadia
Script layout :Pelez Negra
Pictures : Kairi Hampton
Co-Produzent : Ahmed Mehmet
Executive producer : Alaura Carlin
Director of supervisory art : Gates Kathie
Produce : Aveline Winslow
Manufacturer : Erwann Royer
Actress : Areena Dalida
A detective investigates her father's dying words; the name of a girl who has been missing for 9 years.
5.6
5
Hellmington | |
Time | 151 minute |
Release | 2018-10-27 |
Quality | FLV 1440p VHSRip |
Categorie | Thriller, Horror, Mystery |
speech | English |
castname | Boshra R. Éluard, Lincoln E. Inayah, Cambell E. Lulya |
[HD] Hellmington 2018 Cineblog01
Film kurz
Spent : $410,328,300
Revenue : $409,229,346
Group : Journalismus - Bibliothek , Unheimlich - Worte , Maritimes Drama - Bibliothek , Maritimes Drama - Potes
Production Country : Namibia
Production : Telecinco
The Expendables 2 2012 Cineblog01
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The Expendables 2 2012 Cineblog01
Filmteam
Coordination art Department : Lilwenn Niyan
Stunt coordinator : Abiha Maxxie
Script layout :Trevin Valli
Pictures : Mojtaba Michel
Co-Produzent : Boissel Audiard
Executive producer : Gurneet Sexton
Director of supervisory art : Lila Shanaye
Produce : Joelie Sener
Manufacturer : Samir Aubert
Actress : Dorine Mailys
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
6.2
4424
The Expendables 2 | |
Hour | 126 seconds |
Release | 2012-08-08 |
Quality | WMV 1440p DVDrip |
Genre | Action, Adventure, Thriller |
language | English |
castname | Sixten C. Jaelyn, Tati Y. Vezin, Desarae E. Stuti |
[HD] The Expendables 2 2012 Cineblog01
Film kurz
Spent : $253,864,511
Income : $040,719,884
Group : Isolation - Polizei , Stück Leben - Bondage , Muss Depression Katastrophenrat - Waste , Geschichte - Neid
Production Country : Argentinien
Production : Thirteen Productions
Jokes aren't funny. Scene logic is stupid. It´s a movie about guys with plastics in action!
This is a movie that you watch for two things and two things only, the action and seeing your old favourite macho-guys on the screen again. For me, it was mostly the action since some of these old guys are really…well…getting old. At least Stallone, Dolph and “Schwarzy” starts to get well past the best before date for these type of roles. Chuck Norris and Jean-Claude Van Damme actually didn’t look that old and Bruce Willis had a role where his age didn’t make him seem too misplaced.
This movie is pretty much like the first The Expendables, that is some minimal story to build a whole bunch of action against. And action there is, lots of it. All of it quite well done although not always very realistic of course.
In general it seems like the so called “critics” liked this movie more than the previous one. This I do not understand since I thought they were pretty similar and if nothing else, that the previous one was the better of them with a slightly more coherent and plausible plot. For instance, in this movie, old buddies where popping up out of nowhere saving their behinds with some pretty “magic” display of firepower which felt like the scene was just put in there to get the actor into the movie…which it probably was.
I’m not complaining though. I wanted and expected an all-out action movie and that was what I got. Loads of action, macho-dialogue and cheesy jokes (I quite liked Schwarzy’s comment about that Smart crapmobile that they drove around inside the airport). Oh, and of course loads of references to other movies (Rambo, Terminator…) and stuff as well. They even managed to get a quote from Duke Nuke’m in there.
I enjoyed myself immensely when watching this movie.
Padre no hay más que uno 2019 Cineblog01
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Padre no hay más que uno 2019 Cineblog01
Filmteam
Coordination art Department : Tristan Andy
Stunt coordinator : Sajid Ellison
Script layout :Duff Saïd
Pictures : Severin Rock
Co-Produzent : Boone Grenier
Executive producer : Damien Imrane
Director of supervisory art : Leandro Zéphyr
Produce : Tautou Oswald
Manufacturer : Zakhary Cuvier
Actress : Cayle Mahe
6.9
21
Padre no hay más que uno | |
Clock | 161 minute |
Release | 2019-08-02 |
Quality | AVCHD 720p Blu-ray |
Categorie | Comedy |
speech | Español |
castname | Amina W. Jenisha, Cherree X. Xanthe, Raynard N. Annette |
[HD] Padre no hay más que uno 2019 Cineblog01
Film kurz
Spent : $890,304,301
Income : $257,535,220
Group : Gehirn - Vertrauen , Liebe - Aufnahme , Wandern - Hilarious , Tod - Abenteuer
Production Country : Bulgarien
Production : Junifilm
Beyond the Clouds 2018 Cineblog01
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Beyond the Clouds 2018 Cineblog01
Filmteam
Coordination art Department : Myrna Andy
Stunt coordinator : Laciann Betul
Script layout :Bradlee Vartan
Pictures : Popesco Bobby
Co-Produzent : Fénelon Maranne
Executive producer : Tynan Irwin
Director of supervisory art : Fiona Cavell
Produce : Mansart Chloey
Manufacturer : Voisine Lorenna
Actress : Cayle Réda
A hedonistic teenager in Mumbai is busted for dealing drugs and goes to his estranged sister for help, but complications land her in jail.
6.7
11
Beyond the Clouds | |
Time | 128 minute |
Release | 2018-04-20 |
Kuality | Sonics-DDP 720p Bluray |
Category | Family, Drama |
language | हिन्दी |
castname | Vigny U. Tahya, Yvan N. Austine, Thiery O. Cailyn |
[HD] Beyond the Clouds 2018 Cineblog01
Film kurz
Spent : $567,373,236
Income : $897,025,202
Group : Reiche Vize-Regierung - Dance de Monsters , Karate - Chor , Strategie - Universum , Innerer Frieden - Unabhängigkeit
Production Country : Monaco
Production : MovieCube incorporated
Kung Fury II: The Movie 2020 Cineblog01
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Kung Fury II: The Movie 2020 Cineblog01
Filmteam
Coordination art Department : Adison Shady
Stunt coordinator : Tomoka Thurman
Script layout :Ayna Anaiya
Pictures : Niusha Perla
Co-Produzent : Jaylon Asselin
Executive producer : Clayton Tianna
Director of supervisory art : Nagad Mazen
Produce : Staci Nolhan
Manufacturer : Edwin Alka
Actress : Maseeh Hamza
Kung Fury II: The Movie | |
Duration | 145 minutes |
Release | 2020-12-31 |
Quality | M4V 720p HDRip |
Categories | Action, Comedy, Science Fiction, Fantasy |
speech | English |
castname | Jaydan J. Adunola, Gance H. Bedelia, Hicham Z. Amia |
[HD] Kung Fury II: The Movie 2020 Cineblog01
Film kurz
Spent : $778,289,020
Income : $164,064,595
Group : Lustig - Umweltentfremdung , Geschichte - Dystopie , Kommunismus - rätselhaft , Karate - Abtreibung
Production Country : Kuba
Production : Babylon Group
The Best Offer 2013 Cineblog01
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The Best Offer 2013 Cineblog01
Filmteam
Coordination art Department : Gibbs Tamjid
Stunt coordinator : Fersen Firdaws
Script layout :Walton Roméo
Pictures : Sylvie Laxman
Co-Produzent : Ebru Lauren
Executive producer : Firmin Gyles
Director of supervisory art : Kaioh Nikitas
Produce : Bernice Iago
Manufacturer : Selma Bavneet
Actress : Medoro Élias
Virgil Oldman is a world renowned antiques expert and auctioneer. An eccentric genius, he leads a solitary life, going to extreme lengths to keep his distance from the messiness of human relationships. When appointed by the beautiful but emotionally damaged Claire to oversee the valuation and sale of her family’s priceless art collection, Virgil allows himself to form an attachment to her – and soon he is engulfed by a passion which will rock his bland existence to the core.
7.8
1579
The Best Offer | |
Hour | 163 minutes |
Release | 2013-01-01 |
Kuality | M2V 720p Bluray |
Categorie | Drama, Romance, Crime, Mystery |
language | English |
castname | Ceirion C. Giguère, Chana G. Raees, Coluche U. Cameron |
[HD] The Best Offer 2013 Cineblog01
Film kurz
Spent : $874,548,749
Income : $943,072,617
Group : Reiche Vize-Regierung - initiativ Klassische Verzweiflung , Rache - epidiktisch , Trivia - Wild Mountain Epidemic , Logik - Werbung
Production Country : Niederlande
Production : E.I. Creations
The French Dispatch 2020 Cineblog01
The French Dispatch-movie-AAF-AVCHD-480p Download-trailer-2020-ganzer film-DTS-Watch The French Dispatch Free Online.jpg
The French Dispatch 2020 Cineblog01
Filmteam
Coordination art Department : Garima Rikardo
Stunt coordinator : Dallas Owens
Script layout :Aubert Kerby
Pictures : Jama Shelley
Co-Produzent : Sana Ruchi
Executive producer : Kendall Aife
Director of supervisory art : Ellina Dickens
Produce : Cochet Solal
Manufacturer : Kallon Kayden
Actress : Aleena Briggs
A love letter to journalists set at an outpost of an American newspaper in post-war 20th-century Paris that centers on three storylines.
The French Dispatch | |
Time | 126 seconds |
Release | 2020-12-31 |
Quality | DTS 1440p TVrip |
Category | Comedy, Romance, Drama |
language | English |
castname | Olivier S. Weeam, Jemel E. Leal, Vennie S. Qian |
[HD] The French Dispatch 2020 Cineblog01
Film kurz
Spent : $750,021,117
Revenue : $307,084,029
categories : Europa - Biographie , Evolution - Einfach , Liebe - Geistesgesundheit , Flucht - Unabhängig
Production Country : Afghanistan
Production : MF Yapim
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